“No one can make you feel inferior without your consent.”
June distracts herself during the Ceremony by naming off everything she knows about the color blue. We get into a ponderous tradition very quickly with the show about how swiftly the fascism can pierce us so often and with so much aplomb we scarcely realize we’ve been gushing blood until it’s too late. Offred and Ofglen trade stories about their jobs before the “reconstruction.” Offred was an editor, and Ofglen was a college professor. Offred wants to know why Ofglen knows an about an Eye in her house. During this exchange, and as a church is being bulldozed, they witness a minister being brutalized by two Guardians. I forgot to mention the Guardians. They’re the guys with machine guns whom everyone fears. I don’t understand the minister. Why is there a minister walking around like he owns the street? Why are we destroying churches when the property could be put to good use for something else rattling around in the brains of the Sons of Jacob? This is where the efficiency and economy of Gilead escapes me. Driver Nick reveals himself to be the Eye by stupidly telling her to not get too close to Ofglen. He also tells her the Commander wants to see her in his office later that night. The Birthmobile arrives to escort her to pregnant Ofwarren’s (“One-eyed batshit crazy Janine”) delivery.
June reflects on her own delivery of her daughter, Hannah. It became such a momentous event that zealots would pray outside hospitals, and lunatics would try to steal babies. The handmaids tell Ofwarren to “breathe,” “hold,” and “exhale” in unison. Given the circumstances of how rare live and healthy birth must be to this world, research and science should have offered choices. They offer choices even now with no such problems existing. Incentives would be offered to those fertile couples to have children. Health insurance would become a device of the past. When no one was looking, a righteous religious fanaticism was building in the people. How this could easily translate into the humiliation, enslavement, and torture of women is anybody’s guess. When you get to talking about the concept of equality to different people, you’re going to get a handful of different philosophies. Some people confuse equality with superiority. Some people confuse equality with convenience and opportunity. Some people will argue that slavery is a state of mind; that if you believe you are enslaved, then you are enslaved. I feel that the people who write and produce the show don’t quite grasp the concepts of freedom, slavery, and equality; that they’re either parroting the current hot topics and trends or they (or some of their more zealous viewers) want to suffer vicariously with the characters they’ve created.
This is a bizarre delivery with a Commander’s wife simulating labor pain as Ofwarren experiences it. The mixed message of rape and the joy of childbirth gives the show an uncomfortable distinction. Knowing what we know of the perceived inequality of women, the obvious social messaging at work in the narrative, and the politics at play, The Handmaid’s Tale treads a fine line between leftist and right-wing dogma. All I can imagine is that women have gone mad in a time where their bodies have betrayed them and refused the purchase of a child that would grow inside them. That’s the only explanation I can muster for their advocacy of Gilead. Did they ever intend to enslave themselves in the bargain? This is not the story of men oppressing and brutalizing women for their own sadistic pleasure. This is the story of women willfully and deliberately participating in their own annihilation. These women do not have agency. This second episode is padded to the breaking point before the viewer realizes there were only perhaps two bits and a flashback. June goes down to the Commander’s private office. I realize the show-runners get their jollies off not revealing anything because they want us, the viewers, to be June. I don’t find the Commander frightening or imposing in any way, and I have reason. He plays Scrabble with her and we have to watch the whole game. No wonder the human race is dying off. The next morning, June discovers Ofglen has been arrested as Simple Minds’ “Don’t You (Forget About Me)” plays. The Breakfast Club this is not.