There is only feeling
In this world of life and death
I sing the praise of never change
With every single breath
Just a few weeks ago, I was writing about James Frawley; now Monkees fans have the one-two punch of grieving for the loss of Peter Tork. There is plenty of biographical information available about Tork on the internet, so I won’t spend much time on that. I’ll just do some basics. Peter was born Peter Thorkelson on February 13, 1942 in Washington D.C. He was a struggling folk singer in Greenwich Village and then Los Angeles. According to the book, Monkees Day by Day (Andrew Sandoval), he was working as a dishwasher when musician Stephen Stills (who also auditioned for the show) recommended Tork for The Monkees. The producers were impressed with his sense of humor and cast him.
Since this is a blog about The Monkees, this will be all about Tork’s performance as the charming, adorable band member character, created for the show. Monkees writer Treva Silverman mentioned in an interview that the writing team couldn’t decide if Peter should be an idiot, or a genius. They took a vote and decided on “idiot.” After recapping 58 episodes, I think that’s a little too narrow. Peter was more childlike and naive than anything, with many flashes of pure genius. Certainly, he was one of the funniest performers, though frequently he had the thankless job of being the punchline of one-liners and sight gags. The character’s innocence, gullibility, and misunderstanding of situations was always good for a laugh. His questions to Mike or Micky would often provide exposition to the audience. Tork may not have always liked playing or being identified with the character. Micky Dolenz said in the Monkees documentary, Hey, Hey, We’re The Monkees (1997), that Peter Tork had the toughest acting job, since he had to play a character the least like his real-life personality. Peter was possibly the most likable Monkee; certainly he was the easiest to root for. The band was a group of underdogs and Peter was the underdog among them.
One of the best episodes featuring Peter was “The Devil and Peter Tork,” a story based on “The Devil and Daniel Webster” by Steven Vincent Benét. In this episode Peter nearly loses his soul to the Devil because of his love of playing the harp. Tork captures Peter’s childlike wonder when he first sees and then falls in love with the harp. When the Devil supposedly gives him the talent to make beautiful music with the instrument, I smile when I see his face light up as he plucks the strings. The Devil comes calling to make Peter pay his part of the deal and, thanks to Tork’s acting, I completely buy that Peter’s intentions were pure. He didn’t care about the fame and fortune he received; he just wanted to make people happy with music. Tork’s natural gift for inspiring sympathy from the audience went a long way towards making this episode work.
As a viewer, I don’t want to see the kindest Monkee doomed to hell, and I actually felt frightened for him. Fortunately the other Monkees rally around their friend and Mike convinces him that he can play the harp without the Devil’s power. Tork is convincing in the climax of the episode, showing us his anxiety and fear and then his gentle happiness when he realizes he’s really playing! Peter Tork’s success in these performances might have something to do with the fact that he wasn’t previously trained as an actor. His portrayal comes off as genuine, not practiced. He’s the kid in all of us, and he nicely contrasts the smoother Davy and cynical Micky and Mike. Peter Tork also did well miming the harp performances. Though he did subsequently learn to play, he did not know how at the time, and he watched Harpo Marx for inspiration on faking it.
Peter Tork wasn’t usually the star of the episode and many of his best moments were as part of the ensemble. One of the funniest episodes of season one was “Monkees in a Ghost Town,” and Peter Tork contributed many entertaining moments. In one bit, Peter lists the events of the plot so far, setting up Micky for the fourth-wall breaking line, “That’s for the benefit of any of you who’ve tuned in late. Now, back to our story!” Next, Micky gets an idea and Peter holds the light-bulb over Micky’s head. Both of these gags are over the top, and could have failed, but Peter sells them with sincerity and energy. Peter Tork and Micky Dolenz made dynamic comic partners and among their best scenes is their attempt to impersonate gangsters. Micky’s Cagney impression is a scene-stealer, but Peter backs him up as gruff-voiced sidekick, Spider. For the few moments while the illusion lasts, Peter Tork captures Spider’s physical stance and aggression and he and Micky Dolenz nail the comic timing. After the duo are busted, Peter resorts to his usual little boy demeanor, protesting to the real gangsters that they can’t step on a spider because “…it’ll rain.” Again, such a silly line could have easily been a groaner but Tork could always say that kind of stuff like he meant it. At the climax of the episode, when Peter gets a hold of the gangster’s gun, even big, bad Lenny is rooting for him and prompts him with his own famous line, “You guys ain’t goin’ nowhere!”
I could go on forever, mentioning memorable performances of Peter Tork’s from the series. But, in the interest of time, here’s a quick list of 10 more of my favorite Peter moments:
“I’ve Got a Little Song Here”–After a few failed attempts, Monkee Man Peter finally learns to fly.
“One Man Shy”–Peter gains confidence in his ability to win over the ladies and gets them all to kiss him in a game of spin the bottle.
“Too Many Girls”–Peter as The Amazing Pietro: “Notice that my fingers never leave my hands.”
“Find the Monkees”– Peter comes up with the idea to “be” the band that television producer Benson Hubbell is trying to find.
“Monkees a la Mode”–Peter sweetly menaces Robroy and blocks him from leaving the stage.
“It’s a Nice Place to Visit”– Peter’s surprises Micky, Mike and the audience with a cool, gun-twirling maneuver.
“Hillbilly Honeymoon”–Peter as Uncle Racoon pulls off an over-the-top hillbilly accent and gives marriage advice to the lovelorn Jud.
“Monkees Marooned”– Peter is miraculously able to communicate with Kimba of the Jungle, learning his entire life story from the word “Kretch.”
“The Card Carrying Red Shoes”–Peter evades amorous Natasha, who chases him around the pad. “Well, I love you and my face loves you, it’s just my body that’s out of shape.”
“Monkees on the Wheel,”–In a rare out-of-character moment, Peter as “The Professor” uses his “system” to trick the gangsters into getting drunk and passing out.
Of course I don’t want to end this post without talking about music. Peter Tork was, rightly or wrongly, considered one of the two “real musicians” of the cast. He’s the musician behind the memorable piano lick on “Daydream Believer” (John Stewart). Though he didn’t get to sing as much, I always enjoyed the duet with Micky Dolenz on “Words” (Tommy Boyce/Bobby Hart) and what the heck, I even liked the novelty-folk song, “Auntie Grizelda,” (Diane Hildebrand/Jack Heller) which was certainly well-used for romps on the show. I’m also a fan of his songwriting contributions to the Head soundtrack, “Can You Dig It?” and “Do I Have to Do This All Over Again?” (Interesting that both song titles are questions.) “Can You Dig It” is one of the strongest tracks. Last but not least, one of my favorite Peter Tork-penned songs was on the album Headquarters, “For Pete’s Sake.” This tune was the closing theme in the second season and one I remember fondly. Though I was often sad to hear it because it meant the episode was over. The song has lovely lyrics and captures the psychedelic feel of the second season.
In this generation
In this lovin’ time
In this generation
We will make the world shine
After the show ended, Peter Tork was the first to leave the band in 1968. He worked as a solo musician, formed other bands, even tried his hand at a recording and film production company. He reunited with the other Monkees several times for tours, albums, the 1997 special, and the fifty year reunion album, Good Times!. He contracted adenoid cystic carcinoma in 2009. He died of complications from the disease on February 21, 2019 in his home in Connecticut.
The Monkees universe and the world in general is a sadder place without this funny, charming, brilliant man.
by Bronwyn Knox
Every couple of weeks, “Monkees vs. Macheen” examined the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.