Extreme Cinema! “Chainsaws of Love”

You know why I’m excited? You know why I’m jumping up and down in my seat? I interviewed Fred Olen Ray! We had a great interview. I was watching “Haunting Fear” last week, last Saturday ( I still really love that movie), I figure what the Hell, I’ll take a look and see if he has a web presence, which of course, he does. I email him through his official site. I’m expecting nothing. He gets back to me the next day and we set up this phone interview for the 12th, and this is what we’ll be hearing throughout the course of this episode.

We talked about both of the movies featured in this episode, “Hollywood Chainsaw Hookers” and “Haunting Fear”. Fred Olen Ray is a personal hero of mine. He’s another guy who just gets out there and makes movies. He makes fun movies; action, adventure, science fiction, horror, erotic thrillers, even family movies, and TV shows. He’s incredibly prolific. He’s also ultra-cool for giving me his time for the interview. He is extremely pragmatic, forward-thinking, he’s big on the business side of the filmmaking, but he has that spark of the filmmaker. He starts with the idea, the big “what if” question, and then he goes from there. He has an image in his head when he makes a movie. I would say he’s a work-a-holic, and what’s more he surrounds himself with the people in his life, family and friends and makes movies, and that’s the only way to live, as far as I’m concerned, and he’s been wildly successful doing it.

Written by David Lawler and Andrew La Ganke.
“Love Theme from Extreme Cinema” composed and performed by Alex Saltz.
Introduction written by Bronwyn Knox.
Narrator, “The Voice”: Valerie Sachs

Running Time: 1:27:06

Any and all images, audio clips, and dialogue extracts are the property of their respective copyright owners. This blog and podcast was created for criticism, research, and is completely nonprofit, and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107. It is not an official product, and it should not be sold nor bought; this is intended for private use, and any public broadcast is not recommended. All music clips appear under Fair Use as well. If you’re thinking of suing because you want a piece of the pie, please remember, there is no actual pie. We at BlissVille have no money, and as such, cannot compensate you. If anything, we’re doing you a favor, so please be kind. I do this ’cause it’s fun, and nothing else.

This episode is dedicated to Robert Vaughn.

This podcast is dedicated to the memory of David A. Prior (1955-2015)

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Extreme Cinema! “Dangerously Twisted”

extreme-cinema-complete-103

Albert Pyun is an American film director best known for having made many low-budget B-movies and direct-to-video action films. The Independent Film Channel said that Pyun “has carved out a unique niche as a director of low-budget, high-concept genre films starring actors past their prime”, adding that “others believe this a charitable description for Pyun, who has also been [unfairly] derided as the new Ed Wood.” Though he frequently blends kickboxing and hybrid martial arts with science fiction and dystopic or post-apocalyptic themes, which often include cyborgs. Pyun stated in an interview that “I have really no interest in cyborgs. And I’ve never really had any interest in post-apocalyptic stories or settings. It just seemed that those situations presented a way for me to make movies with very little money, and to explore ideas that I really wanted to explore — even if they were [controversial].”

Wikipedia

Andrew and I discuss two Albert Pyun 1980s classics, Dangerously Close (1986) and Down Twisted (1987), both starring the beautiful Carey Lowell.

Written by David Lawler and Andrew La Ganke.
“Love Theme from Extreme Cinema” composed and performed by Alex Saltz.
Introduction written by Bronwyn Knox.
Narrator, “The Voice”: Valerie Sachs

Running Time: 1:21:25

Any and all images, audio clips, and dialogue extracts are the property of their respective copyright owners. This blog and podcast was created for criticism, research, and is completely nonprofit, and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107. It is not an official product, and it should not be sold nor bought; this is intended for private use, and any public broadcast is not recommended. All music clips appear under Fair Use as well. If you’re thinking of suing because you want a piece of the pie, please remember, there is no actual pie. We at BlissVille have no money, and as such, cannot compensate you. If anything, we’re doing you a favor, so please be kind. I do this ’cause it’s fun, and nothing else.

This podcast is dedicated to the memory of David A. Prior (1955-2015)