Monkees Vs. Macheen: “The Case of the Missing Monkee”


“A Funny Thing Happened to Me on the Way to the Bandstand”


The Monkees really parodied a lot of genres didn’t it? It has more in common with cartoons than sitcoms in that way, as they don’t stick to the “situation.” There were Monkees episodes inspired by westerns, gangster films, science fiction, horror, mystery, and spy stories to name a few. If you were seeing these for the first time, you certainly wouldn’t be able to guess what they might try next. They just incorporate the notion that they’re a band right into the storyline, whatever it is. “The Case of the Missing Monkee” is a cross between mystery, sci-fi, and a spy story. Director and Monkees producer Bob Rafelson gives the episode a cinematic feel using more medium and close shots than usual. There is also a dark edge to the whole thing. “The Case of the Missing Monkee” which premiered January 9, 1967 was written by head writers Gerald Gardner and Dee Caruso.

Speaking of the cinematic effect, the opening shot is a lovely pan across a banquet room where the scientist Professor Schnitzler is giving a speech. The Monkees sit on the bandstand, waiting to play. Schnitzler tells his audience, “war is war, peace is peace, and science is science.” Mike’s puzzled face reflects my own, but Peter’s impressed. He introduces himself to Schnitzler, who admires the Monkees music and discretely passes Peter a note. Peter reads. “They are taking me to the Remington Clinic.” He tries to tell Mike, but Mike’s all business because they have to perform. Peter ignores him completely and wanders off to look for Schnitzler. This week’s villain, Dr. Marcovich notices him. Good for Peter, doing his own thinking. Unfortunately, he wanders over to the curtain at the side, gets hit with a large mallet, and dragged off. The mallet is a silly contrast to the serious setup. This is one of the many instances in the series where Peter is the one finding trouble with his naivete and curiosity.

After the opening theme, Mike, Micky, and Davy look for Peter. Mike finds Dr. Marcovich and tugs on his coat, earning a “Don’t do that” from Marcovich. The Doctor dismisses them and tells them to play music as they’re supposed to. Mike remembers the note, reading it as “I am being taken to the Remington Clinic.” Outside the Remington Clinic, I’m surprised to see daytime as I assumed the banquet was at night. Inside, they attempt to get help from the Nurse at the desk and describe the missing Peter. The cheerful but clueless Nurse knows nothing about him or Schnitzler.


Go figure; Mike doesn’t mention Peter’s charming dimples and manly shoulders (like I would have). Also, in every picture I’ve ever seen of Peter Tork, his eyes look brown to me. The nurse tells them to go to the police. A subtle dig at authority as Davy mutters something about going to see “the man” and they go. Dr. Marcovich overhears the entire thing and denies to the nurse knowing anything about Schnitzler. He stops to make “evil faces” for good measure. I enjoy this actor; he is dramatic and menacing in most scenes and then he pulls off goofy stuff like this.

Davy, Mike, and Micky have indeed gone to the man, and bring a cop to the banquet location. The former French restaurant is now a Chinese restaurant complete with a ridiculous stereotypical Chinese restaurant owner. The owner makes The Monkees look like dopes and the cop tells them not to bother any more policemen until they know where they were. We have another situation where the boys have no responsible adult they can trust. “The man” indeed. The restaurant owner is of course Marcovich in disguise and he really hams it up, laughing and jumping up and down after peeling off his disguise.


The Monkees try to fool the nurse into rushing them into the clinic, but the Nurse is too diligent and bureaucratic. Davy gives her his address as 1438 instead of 1334. He either really hit his head or he doesn’t want these questionable people knowing where he lives. I love the performance of the Nurse. She’s aggressively perky and nice, pathologically efficient, and not at all helpful. The Monkees don’t love her and lose their patience, especially when she says she can’t admit Davy immediately. In the meantime, she gives him a cough drop. I don’t know what’s in it, but it motivates Davy to drop his crutches and dance and sing “Old Folks At Home” (Stephen Foster) again, as he did in “The Spy Who Came in from the Cool.” Coincidentally or not, both of these episodes were written and directed by the same team. Getting high on her own supply, the nurse takes a few wacky cough drops and inspires stock footage of rocket ships.

The Monkees resort to breaking in to the Remington clinic. Davy questions the legality of this. I can’t believe a Monkee is questioning breaking the law but it leads to the following witty exchange: Micky: “So what do you want to do? Do you want to run home where it’s safe and leave Peter here in trouble all alone?” Davy: “Of course not.” Micky: “Well, it was just a suggestion.” Instead, Micky busts out what he refers to as the Bathook. Mike sensibly points out the ladder right behind them. The Bathook, by the way, is one of the many references to Batman made by The Monkees. This is beautifully listed here, on The Monkees Go Ape for Batman!

Finally in the clinic, Davy, Mike, and Micky disguise themselves as patients and begin to search for Peter. A very creepy atmosphere was created in the hospital with the Monkees nervous reactions, the lighting scheme, and the music. It would have been even better without the laugh track. Meanwhile, Marcovich and his partner Bruno have Peter tied up in another room. They discuss how they will sneak Schnitzler out of the country and “America will lose one of its greatest scientists.” Finally, we have an idea of the plot of the villains. This dialogue makes me think it’s a sort of foreign espionage story they’re going for, though like the Maltese Vulture it’s just what drives the story along.

Bruno wants to know what to do with Peter. Peter lists his woes but he’s really quoting the medical drama Ben Casey. There’s a Ben Casey connection as David Jones appeared in the 1965 episode, “If You Play Your Cards Right, You Too Can Be a Loser” as a glue-sniffing wife-beater [What? – Editor]. Try to picture that, will you? Speaking of Batman, Davy’s co-star on Ben Casey was pre-Bat Girl Yvonne Craig.

Bruno pulls a gun on Peter since he “knows too much.” (Peter: “Thank you!”) Sidekick Bruno is truly threatening, enhanced by Vincent Gardenia’s intense, no-nonsense performance and dour expression. Marcovich has a better idea. Peter tries to rescue himself by calling “Shazam!” at the mirror but only manages to break it. Catch a little “Monkee Men” theme here. Meanwhile the other non-missing Monkees try to get out of the one room where they have been searching, but here comes Bruno to give physical therapy.


There’s a silly sequence as they receive their therapy using the (now ancient) exercise equipment. Micky pulls on the wall pulleys, Davy uses the “vibrating belt machine” to get rid of his spare tire, of course leading to a site gag where he pulls out an actual tire. Mike is on the rowing machine, but not exercising; he serenades the lovely and lucky Valerie Kairys with a banjo.

After Bruno leaves them, The Monkees resume the search for Peter but stop to answer the ringing phone. There they go, answering phones that aren’t theirs again. In a cute fourth-wall-breaking bit, Mike takes a call from TV Guide and updates them on the plot. Meanwhile, Marcovich uses his sci-fi, super-science ray on Peter to erase his memory. Peter writhes in agony and thinks about being on the beach with the kids in the “Saturday’s Child” romp.


Just as Mike, Davy, and Micky are about to give up hope, they enter a room and Peter wanders in behind them. Peter has no idea who they are. After a couple of false starts, they scare his memories back. Peter remembers that Marcovich and Bruno plan to smuggle Schnitzler out of the country. The nurse comes in and Mike, Davy, and Micky hide, telling Peter to play dumb. Peter gets sensitive about his perceived intelligence, “Why am I always the one to play dumb. Why can’t I play smart once in a while?” The Nurse covers Schnitzler’s face with an oxygen mask.

When she goes, Micky admires the villains’ plan to smuggle Schnitzler out in an ambulance. The mask gives Mike a plan of his own, and he puts Micky in the Professor’s place. Micky protests this with one of my all-time favorite bits of Monkees dialogue: Mike: “Believe me Micky, there’s no other way. Besides, Dr. Marcovich is an evil man.” Micky: “Well, what about me?” Davy: “You’re not evil, is he Mike?” Mike: “No, he’s not evil. He’s crafty and selfish maybe, but he’s not evil.” Dr. Marcovich and Bruno come to get Schnitzler and the non-disguised Monkees hide under the cart as they wheel out Micky.

This leads to my favorite bit of the episode, where Mike, Peter and Davy play “doctor.” In the operating room, Marcovich and Bruno prepare to do something to “Schnitzler.” Mike, Davy, and Peter enter in surgical scrubs. Mike adopts Micky’s typical shtick of pretending to have authority where he has none. Marcovich actually apologizes for questioning them. Bruno and Marcovich are marvelous at the thankless job of being straight men to the boys.



This whole scene is reminiscent of The Marx Brothers’ A Day at the Races scene where Marx Brothers take over the Standish Sanitarium. Many sight gags and one peanut butter sandwich later, Mike and Marcovich end up physically tugging the “patient” back and forth until Micky says he’s dizzy and sits up. Marcovich and Bruno recognize them as “those musicians” and it leads into a wonderful romp to “I’m Not Your Stepping Stone” (Boyce/Hart).

The romp is also packed with silly, energetic gags, including a lot of running in and out of doors in the hospital corridor. All the characters, heroes and villains, do this funny run where they take little steps with their hands up like dog paws. In the equipment room, Micky rides the exercise bike like a horse and Bruno also rides it, cut together like a chase scene. Micky and Mike have binoculars and stop to ogle a pretty nurse for a moment. I love their saucy looks to each other. Mike does the frantic bit on the rowing machine we see in the second season opening credits. Bruno “chases” him on the same bike. The Monkees get the bad guys in a two-man pile on a gurney.

After the wackiness dies down, Schnitzler thanks them for saving his life. Micky and Mike tell the bad guys they’re going to get 20 years and a wrist slapping from the AMA. As they leave, Marcovich looks more relieved to be rid of these lunatics than upset at being caught.


In this episode, the comedy is stirred in beautifully with the mystery and adventure of the plot. There are lots of great scenes of The Monkees working together, even if Peter is missing a lot of the time. They do tend to isolate him a bit, don’t they? The guest cast is excellent as usual, these great characters were never afraid to go over the top, and always made great straight men to The Monkees. One element that keeps these episodes fun to watch for 50 years, is the fun with different genres. This is probably something they were willing to try with a show geared towards kids, not adults. Kids might be more open-minded and entertained by a show that regularly bends reality, even its own rules of reality. Of course I’m an adult and enjoy it tremendously even after watching for many decades. Although the writing of the episodes did eventually get into a rut, it was more the plots and the gags themselves, and not the styles they tackle that were ever lacking imagination.



by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.


Monkees Vs. Macheen: “Too Many Girls” aka “Davy and Fern”


“Talent Show, My…(Whistle)!” 


I wasn’t super excited to write about this one, I admit. The storyline for “Too Many Girls” revolves around an often used plot device: Davy is in “love.” On the plus side, writers were obviously aware of it and making fun of it themselves; using a well-established trait of Davy’s to drive the story. Similar to “Success Story,” the conflict is about the possible loss of Davy as a band member. The best part is the talent show – that’s the centerpiece and most memorable sequence. The teleplay was written by Dave Evans, Gerald Gardner, Dee Caruso, from a story by Dave Evans. The episode aired on December 19, 1966, and James Frawley directed.

The opening scene is the Monkees rehearsing, and I do love it when they have story elements about them as a band. It’s really them playing this bit of “Stepping Stone” that you hear. They had just returned from a two-week promotional tour of the series, in September of 1966, when they started production on this episode, so the four of them were probably very used to playing together by now. Davy spaces out during the rehearsal when he sees a girl. The object of his affection is Valerie Kairys; it’s always fun to spot her in an episode.

The Monkees that are not love-struck get rid of Valerie, and Davy snaps out of it, and starts playing the maracas solo. He realizes what’s happened and makes a vow to the others: “no more girls.” Mike, who dominates in this episode to keep control of things, wants to hold Davy to his word. Davy doesn’t even get through the vow before he’s locked eyes with yet another girl. Micky, Peter, and Mike find young women stashed all over the apartment and they escort them all out. They think they’ve found them all and collapse against the door, but when they look up, there’s Davy, surrounded by all the girls.


The Monkeemobile screeches to a halt on the street. Our villains of the episode, Mrs. Badderly and her teenage/young adult daughter Fern, watch the Monkees from outside the tea room. Mrs. Badderly, says “the little one is Davy. He’s English. He likes tea.” But how did she know they were pulling up just then? Holy cow, maybe she really is psychic.

These women plan to swindle Davy, but not for money this time. Mrs. Badderly insists Fern needs Davy as a partner for a show business career. Davy’s such a sweet guy. I’m sure if Fern had just asked him to be her partner for the one talent show, he would have said yes. No need to trick him. But that’s not enough as Mrs. Badderly wants Fern to have a career with Davy. She’s on the phone with Mr. Hack, assuring him that Fern has an act for his TV amateur show. Mrs. Badderly has pepper and a nail and tells Fern to do as she says, laughing manically for good measure.

The Monkees conveniently decide to patronize the tearoom. Ms. Badderly goes to their table to read their tea leaves. She “sees” that Mike’s a musician, composer, and raconteur. Micky does a W.C. Fields impression to add that Mike “also contains lanolin and won’t upset your stomach.” (I enjoy noting Micky’s various impressions. Unlike Locksley, he is a master.) Mrs. Badderly also sees that Mike’s about to have a flat and Peter will come down with a 24-hour virus. Fern sprinkles pepper on Peter’s coat and presumably off-screen she stuck that nail in Mike’s tire. It’s easy to predict the future when you create it. I’ll have to give that a try.

Now the hook: Mrs. Badderly tells them Davy will fall in love within 24 hours and he’ll leave his friends and home over it. Davy denies the possibility but she says the tea leaves “never lie.” There’s a stand-up sit-down gag as the Monkees stand politely when she leaves the table. The score of violins crescendos whenever they stand. I suspect they’ll probably use some of this music again in “Son of a Gypsy.”

Practical Mike’s not buying any of this. He goes on about the silliness of believing tea leaves as they approach their car, which indeed has a flat. When Peter starts sneezing, Davy reasons that’s two predictions and asks big brother Mike if his will come true too. Mike stuffs Davy into the back of the car and starts blowing up the tire with his mouth. In addition to being a “musician, composer, and raconteur,” his spit patches nail holes.

At home, Mike forgets he doesn’t believe Ms. Badderly’s predictions. He wants to keep Davy isolated from women for 24 hours. Davy says, “that’s half the world.” The other Monkees ignore Peter’s obsessive freak-out about “half the world” with half a globe. Mrs. Badderly and Fern have stalked the Monkees back to their home and Mom pressures Fern into continuing with their nasty plan to break up the Monkees.

Now begins the series of scenes where Fern becomes a worthy opponent for the Monkees, borrowing their tactics of changing voices and disguises to get Davy alone. She is a bunch of different girls, trying to figure out which one can ensnare Davy. I wish there were more characters like her. The Monkees rarely came up against anyone their own age. Most of the baddies are older, established authority figure types. It would have been fun to see them in conflict with more girls like Fern, or competing with other bands that were their equal in antics. That said, Fern is acting on her Mother’s instructions.

First, Fern shows up at the Monkees door as a curvy and mature looking Girl Scout. With a squeaky voice, she pretends to sell cookies, hoping to get to Davy, but they quickly shut her out. Micky says, “Girl Scout my…” and the soundtrack helpfully fills in the implied “ass” with a whistle. Micky’s mouth didn’t say it, he just stopped at “my.” (Different than “The Devil and Peter Tork” when they’re all clearly mouthing the word “hell” that gets bleeped out.)

The next day, I assume, since they’re all wearing different shirts, they send Davy upstairs when they hear a knock at the door. It’s Fern posing as a passport photographer. Micky foolishly says yes to her, and she takes a picture of the three of them with a turn-of-the century camera, which magically gives them turn-of the century costumes for a second. The flash blinds them and she rushes upstairs to find Davy. Mike quickly stops her, trying hard to keep control of this. The boys show her the door.

Davy is tired of being confined and he starts to lose it, but Mike is firm with him. Davy argues they’ll have to tie him down if they want to keep him inside. Mike and Micky exchange glances and Mike makes a comical face, ridiculously pleased with the idea.


Mike, you da man in this episode. They chain Davy to a chair and give him the TV to keep him occupied. When the others leave, Davy gets a “special delivery” note under the door. He makes an excited “whoop” and leaves, dragging the chair outside. The other Monkees find the note and tell us that it’s an invitation to judge a beauty contest, the ideal lure for Davy. Off they go to try and catch up.

Two funny sight gags as the Monkees search. The first is on the street when they ask a group of strangers which way he went; all of them point in different directions. I’d love to hear how that conversation went, “Have you seen a little guy chained to a big chair? He’d be sort of dragging it?” They think they’ve found Davy, but it turns about to be…another identically dressed guy, also dragging the same chair. This had me falling of my chair laughing.


Davy arrives, not at all suspicious that the pageant is at the same tea room where they met Mrs. Badderly or there’s only one contestant. It’s Fern, disguised in a cave-girl costume and long brown wig. This is the scene with the blurring where her bikini would be, due to NBC-TV Broadcast Standards and Practices (the same standards that didn’t want anyone to see Barbara Eden’s belly-button on I Dream of Jeannie, or any woman’s navel on Star Trek). YouTube has an uncensored clip, with some full body shots of her. On my DVD, they go right to a close-up of her face.  In the context of the un-blurred version, Davy’s expression changes from “stunned” to “turned-on.”


The couple hears music every time they touch. Davy think it’s love, but it’s Mrs. Badderly in the next room with a record player. Davy says “I’m Davy Jones, and I think I love you.” (Wrong show, Davy, “I Think I Love You” is The Partridge Family.)   The Monkees arrive too late. Mrs. Badderly comes out and Davy “introduces” her to Fern. She reads Fern’s tea leaves and tells her she’s going to be a great success on a television show with Davy. Fern coaxes Davy into helping her. The Monkees sit in Davy’s chair to stop him. But…


That was pretty hot – rubber chain or no. [I noticed that Davy’s shirt is designed to resemble a straitjacket – Editor.] Davy, Fern and her blurry body leave, and the Monkees sit in the chair and sulk. The phone rings and some unseen person [Frawley, I presume – Editor.] pushes it out to them. After a little hand-over-hand contest, Peter answers. Who picks up the phone in someone else’s place of business? The Monkees, that’s who. It’s Mr. Hack calling Mrs. Badderly to say that her daughter and Davy are scheduled to appear last on the amateur hour. Peter hangs up and relays to Mike and Micky. They all realize “her daughter and Davy!” They’ve been had again.

Now comes the part I’ve been waiting for: the talent show. The other three Monkees are at Mr. Hack’s televised Amateur Hour, performing under aliases to cause some trouble, as usual. Very nice Dickensian naming convention for Mr. Hack by the way. Although it’s also a reference to Ted Mack’s Original Amateur Hour. First up is the Astonishing Pietro. Peter is less than competent as a magician, but he gets the best line: “You’ll notice that my fingers never leave my hand.”

Mr. Hack announces “very gifted folk singer” Billy Roy Hodstetter. Mike gives a flustered performance of his own composition “Different Drum”. Hats off to him for this awkward self-parody, and he even mocks his own wink to the camera. I always loved “Different Drum” even before I knew Nesmith wrote it. This episode debuted almost a full year before the Stone Poneys’ version and this probably played even funnier once the popular version of the song was known.


Locksley Mendoza: “Master of Impersonations” is up next. This is Micky as a comedian, being so unfunny, he’s back to funny again. All his impersonations sound exactly like his Cagney. While he does his act, Peter and Mike put rocks in Davy’s pocket and replace his dance cane with a rubber one. Peter helpfully tells the camera what they are doing. Mike gets Davy’s attention and sprays him with something to mess up his voice.

Davy and Fern go on stage to do a song and soft-shoe number, but Davy can no longer sing or keep up with her dancing. She screams at Davy, storms off stage and goes to her mother, who comforts her. A little contradictory, as it seemed at the beginning she was being pushed into this plot by her Mother, and now it seems like she wanted this to work. Davy is surprised to learn Mrs. Badderly is Fern’s mother.


Mr. Hack says there will be one more act after these words from our sponsor. The three Monkees let us know it’s “our” as in The Monkees sponsor. Mr. Hack advertises a product called SDRAWKCAB, which is Backwards, um…backwards. The last act is The Monkees, who play “I’m a Believer” (Neil Diamond) in beige Monkees shirts. Fern keeps crying to her Mom and speaking for all the foes of the Monkees, Mrs. Badderly says:


Mike tells Davy that Fern and her mother were conning him. Davy blames himself for believing in the tea leaves. The winners of the contest? Davy and Fern. What? It’s not the Monkees? This is an outrage! Like in “Your Friendly Neighborhood Kidnappers,” the Monkees have unfairly lost a contest. As Davy said in “One Man Shy,” it’s not how you play the game, it’s whether you win or lose.

Of course the Monkees are never allowed to succeed in show business, but at least they didn’t lose Davy. It’s a more realistic plot-line, similar to “One Man Shy” where the story depends on character conflict and not high adventure, as in an episode such as “The Spy Who Came in from the Cool.” “Too Many Girls” isn’t as funny as some but there are a couple of laugh-out-loud moments. There’s also a central irony. Fern and Mom trick Davy into thinking he’s in love, because Davy’s always looking for love. He didn’t really love Fern but he’s not in love with any of these girls anyway. The opening scene set that up very well. He gets infatuated with the next girl and the next girl and the next…He’s in love. For the very first time today.



by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.

Monkees vs. Macheen: “Monkee See, Monkee Die”


“And Then There Were Four”

Monkee See, Monkee Die

“Monkee See, Monkee Die,” directed by James Frawley, first aired September 19, 1966 on NBC. Episode writer Treva Silverman wrote some other very funny Monkees episodes: “I’ve Got a Little Song Here”, “One Man Shy”, “Son of A Gypsy”, and “A Nice Place to Visit.” According to the IMDB, she wrote “The Card Carrying Red Shoes” as Lee Sanford. Other interesting facts about Silverman: she wrote episodes for The Mary Tyler Moore Show, for which she won an Emmy and created the character of “Georgette”, and she was one of the few working female writers in television at the time of The Monkees.

The story begins with the Monkees rehearsing, which is the first real reference to them as a band. Also appearing for the first time is Mr. Babbit, who sweeps in accompanied by villainous harpsichord music. Babbit is demanding the rent, or his lawyer will toss the boys out. Mike ferociously defends them, saying Babbit is not making any needed repairs to the house. I think I’ve rented from this guy before. Mike quickly comes up with the idea they should pretend not to know the Monkees when the lawyer shows up, so they bring out the costumes and funny voices. The person they end up fooling is a solicitor who came to tell them they’ve been named in the will of an eccentric millionaire. Surely their rent problems are over now?

The Monkees arrive at the late Mr. Cunningham’s spooky house and are immediately startled by an obviously fake bat. The creepy butler Ralph takes them to the reading of the will. I love the shot of Ralph leading them to the parlor with Mike in front and the other Monkees hiding behind him. Next, they meet the fabulous Madame Roselle, Mr. Cunningham’s spiritualist and Mr. Kingsley, Cunningham’s travelling companion and hack travel author. Ellie is Cunningham’s cute niece and she and Davy fall instantly in love, to Mike and Micky’s distress.

He's in love. For the very first time today.

Young, sweet Ellie will be the one to inherit Cunningham’s mansion, provided she spends one night there. This is an unpleasant surprise for Kingsley, Roselle, and Ralph. Cunningham has left the Monkees his library organ, with the stipulation that they play it once before they take it. They get up to play their inheritance and get out, and it really is an awesome organ because when Peter starts to play it, the “Last Train to Clarksville” (Tommy Boyce/Bobby Hart) video comes out. This was first time the song, and the Monkeemobile, appeared on the show.


Ralph tells the Monkees they’re trapped on the island due to the foggy season, so they go upstairs to bed. I’d ask where they got their pajamas since they didn’t have any luggage (perhaps they have TARDIS technology), but then I’d have to ask why they wear boots to bed. Peter startles Micky, who utters the first “Don’t do that” line that recurs in many future episodes. After getting frightened out of their room, they run into Madame Roselle who tells them the butler may be dead. They run downstairs and see a knife in the wall, but no dead Ralph. Micky and Davy act out a Holmes/Watson fantasy and work on solving the mystery. Failing that, they go back to the room to think of a way to escape. This leads to my favorite scene of the episode: Mike explains his plan to get a message out of the mansion with a carrier pigeon and then a Saint Bernard. Including a link to the clip, because my words can’t do that justice.

The Monkees are trying to sleep all in the same tiny bed, when they hear what sounds like gunshots. Out of nowhere, Roselle appears and dramatically tells them Kingsley has been shot. Those that are left in the house sit downstairs discussing Kingsley’s and Ralph’s missing bodies. Micky gets inspired to get the phones to work and scrambles around attaching the telephone receiver to the tubes on an old radio. He successfully contacts some foreign sailors who only know three words of English: “yes I do.” It was pretty impressive, all the same.

General Sarnoff

Madame Roselle has them join hands for a séance to reach John Cunningham. The actress playing Roselle is hilarious in this episode, going in and out of her “spiritualist” persona in a snap, and she conducts a séance in curlers. Watch the episode one time just keeping an eye on her. Mike is pretty skeptical of this whole thing, and her attempt to reach Cunningham fails. The lights go out, and she disappears. Here’s the first use of Monkee’s running gag “She’s/He’s/It’s gone!” when they see she’s missing. 


The Monkees and Ellie get out of the mansion as fast as they can before they vanish like the older adults. Mike suggests they play a little music to cheer them up while they wait for the ferry. The song “Tomorrow’s Gonna Be Another Day” (Tommy Boyce/Steve Venet) plays to a romp which ends with them in monster masks and a fifth guy in a Monkees shirt and mask who scares them off.

Now we get to the real plot: the three older characters are conning Ellie and the Monkees. Davy, Micky, and Mike sneak back into the house and find a very alive Roselle, Ralph, and Kingsley bragging about driving off Ellie so they can take the mansion. Davy wants to use Micky’s experimental knock-out drop to stop them, so he sneaks off to slip them a mickey, so to speak. Peter and Ellie enter noisily and the villains hear them, each in turn coming out to threaten the Monkees with a gun. Who knew so many old folks in the 60s were packin’ heat? Conveniently, the knock-out drops kick in and the bad guys end up in a heap on the ground. In the tag sequence, the Monkees tell their story to the police.



This is one of the funniest episodes of the series and one of my favorites. The guest cast, especially Lea Marmer, is excellent. The pigeon sequence and the séance are two stand-out funny bits in an entire episode full of laugh-out-loud scenes and dialogue. It’s a well-written, solid all-around spoof of Agatha Christie type mystery stories. The personalities and dynamics of the Monkees are clearer here than in the first episode with Mike emerging as the leader, Micky the one with the crazy ideas, Davy the young romantic, and Peter the oddball.

In this episode, as well as “Royal Flush,” there is a division between the old and young characters. The bad guys in this episode are all the older adults. Mr. Babbit wants to throw the young Monkees out on the street, though he is not a responsible landlord. The adult villains in the mansion are plotting to rob teenage Ellie of her inheritance and it’s up to the Monkees to figure it out. There’s no wise grown-up to help or guide them, no adult to be trusted. This was the age of the generation gap and “don’t trust anyone over 30.” The kids are alright, but they’re on their own.

Happy Thanksgiving, Monkees Fans!

You're Evil

Look out for (guest cast)

Sweet Young Thing

by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.