Written by David Lawler (and Julie) Additional Commentary by Andrew La Ganke (and Julie) Original Music by Alex Saltz, APS Mastering Introduction Music:”Video Killed The Radio Star” (Trevor Horn/Geoff Downes/Bruce Woolley) by The Buggles (from the 1979 album, “The Age Of Plastic). Audio Clips: Hot Robot At SXSW Says She Wants To Destroy Humans from The Pulse on CNBC, “Blade Runner” (a 1982 film directed by Ridley Scott), “Return Of The Jedi” (a 1983 film directed by Richard Marquand), “Damnation Alley” (a 1977 film directed by Jack Smight), “Austin Powers: International Man Of Mystery” (a 1997 film directed by Jay Roach), “Nick Of Time”, “The Lateness Of The Hour”.
“Mr. McKittrick, after very careful consideration, Sir, I’ve come to the conclusion that your new defense system sucks.”
WarGames, 1983 (Matthew Broderick), MGM/UA
The entirety of John Badham’s thriller, WarGames is encapsulated in the personal anguish of John Wood’s programming genius Stephen Falken, who had tried (and failed) to make his computers understand the concept of futility (citing an analogy to the game Tic-Tac-Toe); that eventually we give up, and thus would never knowingly annihilate each other. When underachiever and computer savant David Lightman (Matthew Broderick) accidentally breaks into a supercomputer known as W.O.P.R. in order to play what he thinks are video games that turn out to be real nuclear war simulators, he launches our military’s path to World War 3.
After David is arrested by Government authorities who have tracked his computer activities in Seattle (not coincidentally, an early nerve center for computer programming), he meets Falken’s colleague, John McKittrick (played by reliable eighties prick Dabney Coleman). David “Macgyvers” his way out of custody, hooks up with his girlfriend, Jennifer (amiable Ally Sheedy), and sets out to track down Falken to get his help shutting down a program which is on a countdown to global thermonuclear war.
WarGames was made in 1983, at the height of U.S. and Soviet paranoia. I remembered hearing all sorts of terrifying news reports about the nuclear arms build-up, stockpiling weapons of mass annihilation and people like Reagan and Brezhnev playing “chicken” with warheads. These were real fears. It was the end of the Cold War and ultimately the Soviet Union would relent, but if you think about it, there still are hundreds, nay thousands, of missiles still out there, just waiting to be detonated.
Granted, an extremely frightening scenario, WarGames is incredible fun. It is clever; using philosophical arguments (arguments that could never be made by real computers) to communicate the need for wisdom in the higher ranks of command where our defenses and nuclear capabilities are concerned. It is a sobering idea to consider that we exist at the whim of a perpetual military arrogance: that the better bomb brings swifter peace. That sense of ludicrous tragedy exists in Falken’s character.
John Badham, as a Hollywood outsider, had an eclectic career of iconoclasm. A couple of months before WarGames premiered on HBO and Cinemax, his Blue Thunder (also made in 1983) debuted. Another fun movie about technology run amok, but it is technology at the hands of amoral military operatives. Later, he would direct Short Circuit (also with Ally Sheedy) about a cute robot that goes nuts (figuratively), Stakeout, and the under-appreciated Nick of Time with Johnny Depp.
WarGames was an “unofficial” brat-pack movie for it’s inclusion of Broderick and Sheedy in the cast, but this was before The Breakfast Club and Ferris Bueller’s Day Off. WarGames is a Dr. Strangelove analog for Generation X, notably contributing to my generation’s despondency and apathy when it came to all matters apocalyptic or nihilistic, and where our parents’ generation relied on love, faith, and hope to solve all of these incendiary problems, we turned our backs and used indifference and sarcasm to keep us sane and make us realize that Tic-Tac-Toe would eventually save our lives.
Be sure to check out Mark and Christopher’s discussion at VHS Rewind!
Our first cable box was a non-descript metal contraption with a rotary dial and unlimited potential (with no brand name – weird). We flipped it on, and the first thing we noticed was that the reception was crystal-clear; no ghosting, no snow, no fuzzy images. We had the premium package: HBO, Cinemax, The Movie Channel, MTV, Nickelodeon, CNN, The Disney Channel, and the local network affiliates. About $25-$30 a month. Each week (and sometimes twice a week!), “Vintage Cable Box” explores the wonderful world of premium Cable TV of the early eighties.