Monkees vs. Macheen: “Some Like It Lukewarm”

Girls, Girls, Girls!

The “Some Like it Lukewarm” story is set up with a sign for the “KXIW-TV Rockathon Contest, $500 First Prize.” I’m so happy that, since this is one of the last few episodes, it’s about their struggles to make it as a band. Mike, Micky, and Davy are in line at the station with other bands, waiting to sign up. Peter is absent for some reason. Mike gives Davy and Micky a pep talk: Since they desperately need the money, the best thing to do is to act like they don’t need it. Got that? Davy tests out the suave, casual attitude, claiming “We don’t need it.” This confuses Micky, who wigs out because of course they do. The director (James Frawley) must have given Peter’s lines to Micky for that scene.

The Master of Ceremonies was played by real-life Philadelphia D.J., Jerry Blavat, who is still going strong today. The Monkees approach him and presumptuously request the prize money. Of course Blavat treats them like they’re crazy, so they sing for him, going into a doo-wop bit. Mike performs an excellent D.J. patter routine, possibly an imitation of Blavat himself. When they demand the money again, Blavat informs them that the contest is for mixed groups only: without a girl in the group they can’t even compete. He leaves shouting about how he digs “Girls, girls, girls!” Micky helpfully explains for our benefit that one of them is going to have to be “a chick.”

“Some Like it Lukewarm” was a tribute to the 1959 film, Some Like it Hot, starring Marilyn Monroe, Jack Lemmon, and Tony Curtis. In the film, Lemmon and Curtis play two broke 1920’s musicians, who are in trouble with the mob because they witnessed a gangster execution, and so they pose as women and join an all female band. Sounds like a Monkees plot to me. The BFI lists it as one of the films you should see before age 14 [Why that specific age? – Editor’s Question], and it is considered one of the best films of all time. “Some Like it Lukewarm, “ which debuted March 4, 1968, was written by Joel Kane, who also wrote for The Many Loves of Dobie Gillis and Wild, Wild West, and Stanley Z. Cherry who worked on Gilligan’s Island and The Addams Family.

Back at the pad, the Monkees choose which lucky guy will become a lucky girl. The editors treat us to a montage of the Monkees impersonating women: Micky as Mrs. Arcadia in “The Chaperone,” Mike as Princess Gwen in “Fairy Tale,” Peter as the mom from “Monkees vs. Machine,” and Davy as Little Red Riding Hood also from “Fairy Tale.” I think the only episode they left out was “Dance, Monkee, Dance” where they pretended to be female dance students. In my recap for “The Chaperone” I talked a little bit about comedies that have men dress as women. You can read about that here. Mike, Micky, and Peter all nominate Davy to play the girl. Reluctant, he backs himself into the closet and comes out with a mop on his head that looks like a long wig. To Davy’s disbelief, a janitor approaches and tries to pick him up.

Back at their pad, Davy stands behind one of those old-fashioned dressing screens and questions how they’re going to turn him into a woman. Micky explains that a woman is a “rag, a bone, and a hank of hair.” I tried to find out about this rag, bone, and hair nonsense; it seems that it’s from a poem called “The Vampire” by Rudyard Kipling (1897).

“A FOOL there was and he made his prayer
(Even as you and I!)
To a rag and a bone and a hank of hair
(We called her the woman who did not care)
But the fool he called her his lady fair—
(Even as you and I!)”

First, they hand Davy a scarf (rag). Then, they hand him an actual bone. He looks at the camera and says “Woo!” Was that supposed to be suggestive? I think it was. Last, they hand him a wig (hank of hair). Davy comes out in the wig and dress and asks how he looks. Micky: “Kind of like a raggy, hairy bone.” Davy complains that he doesn’t know what to do with the bone (fill in your own dirty joke here), and that he doesn’t know how to act like a woman.

Peter pulls out a book, How to Act Like a Feminine Female in Three Easy Lessons. This episode is so weird. I can only imagine why Peter has that book. It would be hilarious if this was the overdue library book from “The Picture Frame.”

He reads off the lessons. Lesson One: “All feminine females must learn to walk with small delicate steps.” Davy walks around with this feet tied together and falls. Sometimes it’s hard to be a woman. The notion that women have to walk and act a certain way is absurdly funny, even 50 years later. What I’m getting at (and maybe the show was too) is that when men are trying imitate women they seem to choose the superficial, exaggerated characteristics. For a comedy that would be the obvious choice.

Lesson Two: “When a feminine female walks from north to south her hips must move from east to west. A small loud bell in each direction will help to teach this technique.” Davy tries this out, with pots and pans tied to his hips, feet still tied with a small rope. Mike gives directions to Micky who shouts them to Davy. “Faster. Slower. East. West.” Davy spins around in circles. Some of us females have never had these lessons. My husband tells me I walk like Redd Foxx, the Sanford and Son years.

Lesson Three: “The feminine female must glide like a swan when she walks with her head high, erect and motionless. The best way to teach this is to place a book on top the head.” Mike and Micky place an enormous book, perhaps The Complete Works of William Shakespeare, on Davy’s head. He sinks into the ground. From the floor he asks, “Isn’t this fun?” Well, it is for me, Davy.

The Monkees return to the television station to show Blavat that they have a girl in the group. Davy tries to leave but the other three hold him back. Blavat checks “her” out and tells them they are now officially entered in the Rockathon contest. All the above happened in the first five minutes. We’ve gone entire episodes where far less happened. Blavat tells Davy he’s cute, which makes Davy all growly. Micky reminds him, “Money, money. Anything for money.” That does seem to be the name of the game.

Back at their pad, Davy expresses doubts about their plan. Cut to a parallel all-girl band in a similar dilemma. They’ve dressed one of their female members in a suit of armor (that we’ve seen in other episodes) and goatee/mustache. Daphne pulls off her facial hair and frets that they’re bound to find out she’s not a boy. I would have loved a scene where they taught Daphne to walk like a Masculine Male. Hey Daphne, can you walk like you’ve got a pair?

Cut to the contest. Blavat introduces the girl band as the Westminster Abbeys. They play a sped up version of “Last Train to Clarksville.” To make them sound like very tiny girls I guess. Also the “boy” is the lead singer, so shouldn’t they be trying to hide his/her ‘girly’ voice since he’s supposed to be a dude?

The Monkees admire the band musically and visually. The drummer is the lovely Valerie Kairys. They show a clip of the Monkees playing “Clarksville” back in the old days, sped up to match the tempo. Davy accuses the one in the beard of being a bit “effeminate.” I feel like the reveal of the “boy” in the band should have come after we see them play. It would have been obvious, sure, but funnier to have the Monkees seeing them first on stage at the same time the audience does. Then they could reveal Daphne removing her facial hair.

As they leave the stage, Blavat introduces the members as Harmony, Melody, Cacophony, and William the Conqueror. Clever reference alert: Westminster Abbey is a Gothic abbey church in England where all the monarchs had their coronations, starting with William the Conqueror in 1066. The band did well; scoring a 98.6, which is the top rating on the applause meter/thermometer that Blavat is using to judge the contest.

The Monkees force Davy on stage; Blavat ogles “her” some more. They do a half-assed job of lip-synching “The Door into Summer” (Chip Douglas, Bill Martin) while Micky, Mike, and Peter physically keep Davy from fleeing the stage. This is most ridiculous for Micky because he’s supposed to be behind the drums. The Monkees also score a 98.6 on the applause meter, putting them in a first place tie with The Westminster Abbeys. Blavat announces that both bands will have to come back tomorrow for a tie-breaking “battle of the sounds.”

Once they get home, Davy immediately wants to remove this disguise, but the others are worried someone from the show might stop by. Right on cue, Blavat knocks on the door. He has a big bouquet of flowers and wants to see “Miss” Jones. The other three hide, so I guess this is only supposed to be her address. He keeps calling himself, “The Geator with the Heater” and “The Boss with the Hot Sauce,” real life nicknames that he used when he hosted a dance/variety television show called The Discophonic Scene. In the context of him chasing “Miss Jones” however, the nicknames sound absolutely lecherous.

Blavat comes in and declares his love for Davy and sexually harasses him with the promise that if “she plays her cards right” the Monkees could win the contest. Blavat pursues Davy, forcing him to back away nervously. Davy says he’ll have to think about it; Blavat gives him until tomorrow. Watching this in the days after the big Weinstein scandal is a surreal experience. I have to hand it to Jerry Blavat for fearlessly playing this sleazy part, especially since they used his real name.

When Blavat leaves, Peter, Micky and Mike tease Davy. Peter says all he has to do is go out with him, and they’re a cinch to win. Mike says if Davy lets Blavat kiss him, he might own a television station. They’re kidding of course, but Davy’s rightfully pissed, “One more remark like that, and I’ll hit you with me purse.”

Later, Davy declines to go out to eat with the others and asks them to bring back a tuna fish sandwich. Cut to the Westminster Abbeys having the same conversation with Daphne: If she has to go out as a boy, she won’t go. Cross-cut of Davy and Daphne going stir crazy. They each decide to go to “Some Little Out of the Way Place That Nobody Goes.” Thanks to this sight gag, this turns out to be a literal location:

Davy sneaks in, wearing a huge coat and sunglasses and asks for a secluded booth. The waiter can help him, “I have a booth which is so secluded, that last week three of our best waiters disappeared while trying to find it.” He takes Davy to a booth that’s already occupied by Daphne. Davy apologizes, and they both take off their sunglasses and immediately fall in love.

Daphne was played by Deana Martin, daughter of singer, actor, and Rat-Packer, Dean Martin. According to IMDB trivia, Deana got the opportunity to play Davy Jones’ love interest after Davy escorted her to her brother Dino’s 16th birthday party. There’s a nice article here where Deana Martin talks about her friendship with Davy.

They are in the middle of making vows of love to each other when Mike, Micky, and Peter noisily enter the restaurant. Okay, I guess they got pulled over by the cops for having long hair, otherwise Davy wouldn’t have arrived first. I assume Davy took the bus since they must have had the Monkeemobile. Yeah, it moves the plot along, but it isn’t logical. Also, for some reason Davy was carrying his girl boots in a large bag with him, because he panics when he hears the other Monkees, and as he leaves, he drops one of the boots. Daphne picks it up, “Wait my darling, you forgot your… high heels?” How very reverse-Cinderella. Davy goes home and hides under his covers just in time for the others to come home and give him his sandwich. Davy realizes he’s lost a shoe.

The next day at the contest backstage area, Davy sees Blavat coming and dives into Daphne’s dressing room to avoid him. Since he’s dressed as a girl, Daphne doesn’t recognize him at first. When she sees he only has one shoe, she realizes she has the other one, and Davy’s game is up. Davy takes off the wig and admits he’s been fooling everyone. He explains that he didn’t tell her because a girl as nice as her wouldn’t go for someone that wasn’t honest. She outs herself as William the Conqueror by holding up the little mustache and goatee. They admit they did this for the same reason: to enter the contest. Davy feels it was terribly wrong.

After all the different cons the Monkees perpetuated over the course of the previous 55 episodes, I sort of wonder why he feels guilty now. On the other hand, most of the time when they dressed up and assumed other identities they were trying to help some innocent person or foil some villain. Here, the con was strictly about winning money.

Cut to Davy having presumably just confessed to Blavat, who must be so embarrassed. Blavat yells at him for deceiving him and disqualifies him because the contest called for mixed groups. Davy tells him that’s what they are, and both groups perform “She Hangs Out” (Jeff Barry) all together. Unfortunately, this relegates the girls to go-go dancers on the sides of the stage. Really, they couldn’t let a couple of them have instruments? Let’s assume they won and split the $500 between both bands.

Next is a segment with Davy Jones hanging out with Charlie Smalls (1943-1987). This was supposedly a sample of the “variety show” style the Monkees wanted, where they would chat with musical guests after the comedy. Charlie plays the piano while Davy explains that they’re writing songs together. Davy asks why he (Davy) doesn’t have soul. Charlie says he has to explain rhythmically. “Your soul would emanate on the accented beats one and three. Where my soul emanates on the accented beats two and four.” He uses the Beatles as an example, claiming they play “hard and funky” on one and three. They demonstrate with some clapping. I don’t know if I buy this scientifically, but they end with a positive message, “Everybody’s got soul.” They sing more of the song “Girl Named Love,” which appeared on the album, The Birds The Bees & The Monkees.

Sharon Cintron, 1963 Playmate of the Month, is listed as “Maxine” in the end credits, but the band girls were named Harmony, Melody, and Cacophony in the dialogue.

Overall, I really enjoyed this episode. Unlike the previous few, there were many hilarious moments and funny lines. The plot moved along and tied up neatly with charming performances from Davy Jones and Deana Martin. This was admittedly a Davy-centric episode. One of the complaints I’ve read about The Monkees was that too many of the plots revolved around Davy’s love life. Since I’m almost at the end of the series, I decided to take a count (yes, I went full-on nerdy with a spreadsheet) and see how many episodes used this plot device (these choices were my opinion; there were some episodes with female characters, but the plot didn’t revolve around them) and decided that there were eleven (18%) out of the 58. That’s not so bad. However, I would also double-count this particular episode as one that is about their struggles as a band (six episodes or 12%). There were far too few of those for my taste.

by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.

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Monkees vs. Macheen: “The Card-Carrying Red Shoes”

“I Don’t Want to be a Chicken” or “Eastern Promises”

“The Card Carrying Red Shoes” debuted November 6, 1967 and it’s another Cold War, spy-themed episode; along the same lines as “The Spy Who Came in from the Cool” and “Monkees Chow Mein.” Of the three, this is my least favorite. Regarding the title, the phrase “card-carrying” can refer to membership in any organization, but it was used to describe members of the Communist party during the 1940s-50s McCarthy era. The second part of the title, “Red Shoes,” alludes to the Hans Christian Andersen fairy tale, later loosely adapted into a film in 1948 about a ballet dancer. The title at least is clever, but they never explore or parody the notion of ballet, spies, or contrast of Eastern/Western ideas; it’s all just a weak device to put the Monkees in a situation.

Directed by James Frawley, the episode begins with a sign letting us know we’re at the Druvanian National Ballet. Inside the theater, Micky, Peter, and Davy stand around the rehearsal space with some odd instruments. Those are the only Monkees you will see this episode; Mike is absent from this one. The two lead dancers, Ivan and Natasha, enter arguing. Ivan keeps checking Natasha’s red ballet shoe, and she’s tired of it. Ivan is played by Vincent Beck who was also in the episodes “Royal Flush” and “Son of a Gypsy,” playing similar characters: big dumb thugs with Eastern European accents.

Davy and Micky complain that they lugged their own instruments to the hall but have to play “weird” Druvanian instruments. Nicolai, who seems to be in charge of the ballet company, checks to see that they are ready. Micky can’t figure out which end to put in his mouth. Davy points out that it’s a string instrument, so naturally Micky puts his mouth to the string. Micky seems compelled to reply to Nicolai in imitation of his accent. He claims they’re ready but Nicolai points out that Peter is playing a lamp. I know this is all just to set up Natasha escaping in their instrument trunk, but the jokes could have been better. Especially since hiring the Monkees but not letting them play their own instruments doesn’t make sense. I want to see ballet dancers rock out to “Star Collector” Yeah, baby.

Ivan looks inside the red shoe to make sure the microfilm is still in the toe. Ivan and Nicolai discuss their plan to sneak microfilm out of the country. These spies are from a fictitious country known as Druvania instead of the U.S.S.R. Monkees writers do like making up fictitious nations; we’ve also seen Peruvia, Harmonica, and Nehudia.

The rehearsal begins and Ivan sends Natasha twirling into Peter. She looks up at him and notices, “What a face.” She sneaks into their trunk, which should still be full of instruments. Ivan and Nicolai notice Natasha is missing. The Monkees help look for her but Nicolai yells at them to get out. They leave behaving like cartoon characters, bumping into Nicolai and Ivan on the way out and annoying them as much as possible.

Back at the pad, the Monkees note the increased weight of the trunk. Natasha pops out and threatens to shoot them with a finger gun but then makes a real gun materialize in her hand. She warns that she’ll shoot if they make a false move, except for Peter because of his face. She starts stroking Peter’s hair, kissing his cheek etc. Davy is puzzled since she’s going against the established premise that he always gets the girl. Peter meta-comments, “It can’t be you every week Davy.” Right on, Peter.

The music changes to a “very special episode” instrumental as Micky tries to gently teach Natasha and the audience a lesson on gun violence. “Now look miss, you know guns never really solved anything. They’re not the solution to the problem; they’re only a coward’s way out. Wouldn’t you rather talk it over instead of hiding behind a gun?” Shamed, she hands over the gun to Micky who immediately reverses his attitude, “All right, hands up! You’re taking orders from me!” Bravo, that was the funniest bit of the episode, mostly because of Micky’s acting.

Natasha dramatically poses on the lounge and declares that this was her last chance to stay in America. Peter promises to fight to the death to help her stay. Davy points out that she’s a big star and this could lead to an international incident, war, the whole world could be destroyed, etc. Peter, clearly puffed up by Natasha’s attention says, “Don’t worry, if the world is destroyed, I’ll take the responsibility.” Micky replies, “With a little more ego, he could be president.” [Poom! – Editor’s Note] Peter suggests that Micky and Davy go see the Druvanian ambassador. Wow, look at Peter with the ego and the smarts. I like it. The above scenes with Natasha at the Monkees pad were the best in the episode. It’s a shame because I think there was some wasted potential here; they could’ve developed a story about why she wants to stay in America instead of the MacGuffin microfilm.

Micky and Davy go to the Druvanian embassy and introduce themselves to ambassador Nyetovitch. They explain that they’re there about a ballerina. Nyetovitch describes Natasha to a tee, and then claims he never heard of her and throws them out. In the next scene, he’s on the phone with Ivan and Nicolai, establishing that they’re in on this microfilm-stealing plot together.

At the pad, Natasha chases Peter around, and he resists her affection. He leaps all over the furniture and hides behind a chair. Natasha is impressed: “Such agility, such grace. It makes me love you more!” Peter: “In that case, I take it back.” Editors reverse the film and he moves backwards and ends up in her arms. Peter continues to deny her. I don’t get it. Natasha is an adult woman who really likes him and is alone with him in his own apartment. But he was fine with letting fickle 15-year old Ella Mae kiss him back in Swineville. I like that all these females make the moves though.

They hear a knock. Natasha hides in the trunk while Peter answers the door. On the other side, Ivan decides to break it down and runs at it, just as Peter opens it. Oldest joke in the world. Peter gets bowled over by the two foreigners and hits his head. Ivan and Nicolai don’t look very hard for Natasha; they just resort to kidnapping Peter.

Next scene, Natasha updates Micky and Davy on the situation. Davy wants to go back to the theater but Micky thinks it’s “risky.” Natasha stands up on the furniture to give them a pep talk, bringing up American patriots like Paul Revere, Nathan Hale, and George Washington. Inspired, Micky and Davy march off chanting, “Together we will march, together we will fight, together we will win.” Cut to them marching into the theater, ending the chant with “…together we will find ourselves in places we don’t have any business being…” Just like every episode.

Nyetovitch catches them and Micky covers that they’re investigating the disappearance of Natasha. Nyetovitch asks if they’re from the MKBVD. Davy explains they’re investigators from the BVD. This is a joke reference to the underwear company, made in order to set up a punch line about “under where” from Micky. Even Micky didn’t look like he enjoyed saying it. Meanwhile, Ivan and Nicolai have Peter hostage in a dressing room. Ivan pets Peter’s hair and asks what he knows about the microfilm. The Druvanians really like to pet Peter. Ivan and Nicolai agree to “brainwash” Peter, leading to Peter performing a dish soap commercial and squirting Ivan in the eye for an unfunny sight gag.

Micky and Davy are now dressed in obligatory stereotype Ukrainian dancer costumes and looking for Peter. They talk to a dancer, expressing their worry that Peter might be in front of a firing squad. The dancer goes to a stage door and asks a young man, who is facing a firing squad, if he’s Peter. Finding that he isn’t, the dancer politely apologizes and shuts the door, and the audience hears gunshots. That’s the kind of dark and surreal humor I usually like, but when the episode is so weak there is no build up for it.

Ivan notices Davy and Micky, so Micky uses his Russian accent to explain that they’re “replacement dancers.” Ivan pulls them to the center and demands they dance. They start dancing like they’re at a discotheque. Ivan stops them and demands Russian dancing. They start kicking their legs and dance right out of the theater. Dumb Ivan slowly figures out that they are the musicians. At the pad, the Monkees read a letter warning that Peter will be killed unless Natasha returns to perform. Micky says they will all go to the theater, and he has a plan.

I don’t think he has a plan. It certainly never becomes clear. As I wrote in the recap for “Monkees Marooned,” I like to see the Monkees take over with some crazy scheme of their own and drive the plot. Watching them wander aimlessly backstage and get frightened off is boring. Mike’s absence doesn’t help. According to IMDB trivia, he had a part written but for “reasons unknown” does not appear. “I was a 99-lb Weakling” was still good without Mike, because the story was better. Mike might have helped this episode a bit. He brings a certain connection to the audience with his sarcasm, dry humor, and as the frequent straight man. Whenever things get ridiculous, he’s the one to break the fourth wall and let on that he’s aware of it. It makes it all more relatable and grounds the episode in some way.

In the dressing room, Natasha tells Ivan and Nyetovitch that she refuses to perform unless they let Peter go. Nyetovitch demands she dance her “Chicken Lake.” (Like Swan Lake, only stupid.) He asks about the shoes. Ivan picks up Natasha’s foot and assures Nyetovitch that they’re “really fine.” They carry on like this with lots of suggestive eyebrow wagging. If I were Natasha, I’d be thinking they were two men with a foot fetish, rather than two spies. (I have to supply my own entertainment in this episode.) I don’t think she knows or ever finds out that there is microfilm in her shoe. The microfilm is pointless and not even original since they also used this device in “The Spy Who Came in from the Cool.” They leave, and Micky and Davy sneak in. Davy produces a glass out of nowhere for Micky to eavesdrop on the spies.

In the next room, the three bad guys discuss the plan to shoot Peter on the cymbal crash after Ivan’s leap in the performance. Davy tells Natasha they’ll look for Peter but she needs to keep Ivan from leaping. She stands up and immediately sprains her ankle. Someone who knows the plan has to go on in her place, so Davy grabs a chicken costume for Micky, who starts muttering “I don’t want to be a chicken” He breaks the fourth wall to mention The Monkees recently deceased Associate Producer Ward Sylvester with the line “Ward, I don’t want to be a chicken.” Micky comes out in the chicken suit and Ivan arrives to take Micky out onto the stage, never noticing that Micky’s a lot taller than Natasha.

Classical music plays (Tchaikovsky according to Monkees Tripod site). I guess this is the romp as there is no dialog for these next sequences. Micky stops Ivan from leaping with various cartoon tricks: weights, a tire, nailing him down, and laying an egg. Meanwhile, Davy goes to the orchestra pit to distract the cymbal player. Peter is left with Nicolai backstage, where they perform Keystone Cops and Benny Hill type antics with each other, with a girl in a towel, and with girls in chicken outfits. With a little imagination, they could have had some fun parodying Swan Lake or ballet in general. Instead it’s a poor imitation of a Looney Tunes cartoon. Anyway, Natasha ties up Nyetovitch, and they stop the naughty spies.

Aftermath: Natasha at the Monkees pad. They discuss that she’s allowed to stay in the country. Peter hopes to date Natasha, but she says she needs more than just a face; she needs someone she has something in common with. She introduces them to Alexa, who looks exactly like Peter in a Ukrainian dancer outfit. For the last few minutes, I get to see one of my favorite performances from the Rainbow Room, Davy singing “She Hangs Out” (Jeff Barry). This is a fun, upbeat song from the album, Pisces, Aquarius, Capricorn & Jones with lyrics about underage lust (but harmlessly so). The lyrics remind me a bit of the song Elvis song “Little Sister,” written by Doc Pomus and Mort Shuman.

I didn’t mention the writer of the episode at the beginning like I usually do because it relates to my final thoughts. Treva Silverman was the writer, but IMDB trivia tells me Silverman didn’t like how script editors Dee Caruso and Gerald Gardner rewrote the script and decided to use the name Lee Sanford for her credit. In my opinion, Silverman wrote some of the best and wittiest Monkees episodes (“I’ve Got a Little Song Here,” “One Man Shy”) but this one is a dud so I can imagine why she didn’t want credit. I’m curious to know what the script was like as she originally wrote it. The villains in “The Card-Carrying Red Shoes” have little personality. I can’t believe they couldn’t get any comedy out of Leon Askin (Nicolai) from Hogan’s Heroes, for pity’s [Or Pete’s sake, you might say. – Editor’s Note] sake. Ondine Vaughn has a lot of energy but the writers might have done something more with Natasha; based on what we saw of her, she was one of the stronger female characters on The Monkees. Peter could have shown her around America, or compared the life of a young adult in the Eastern block to a typical American youth, or something. I know it’s easy for me to shoot out ideas from 50 years in the future, but ultimately this turned out to be a boring episode that I don’t ever need to watch again.

by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.