Monkees vs. Macheen: “Some Like It Lukewarm”

Girls, Girls, Girls!

The “Some Like it Lukewarm” story is set up with a sign for the “KXIW-TV Rockathon Contest, $500 First Prize.” I’m so happy that, since this is one of the last few episodes, it’s about their struggles to make it as a band. Mike, Micky, and Davy are in line at the station with other bands, waiting to sign up. Peter is absent for some reason. Mike gives Davy and Micky a pep talk: Since they desperately need the money, the best thing to do is to act like they don’t need it. Got that? Davy tests out the suave, casual attitude, claiming “We don’t need it.” This confuses Micky, who wigs out because of course they do. The director (James Frawley) must have given Peter’s lines to Micky for that scene.

The Master of Ceremonies was played by real-life Philadelphia D.J., Jerry Blavat, who is still going strong today. The Monkees approach him and presumptuously request the prize money. Of course Blavat treats them like they’re crazy, so they sing for him, going into a doo-wop bit. Mike performs an excellent D.J. patter routine, possibly an imitation of Blavat himself. When they demand the money again, Blavat informs them that the contest is for mixed groups only: without a girl in the group they can’t even compete. He leaves shouting about how he digs “Girls, girls, girls!” Micky helpfully explains for our benefit that one of them is going to have to be “a chick.”

“Some Like it Lukewarm” was a tribute to the 1959 film, Some Like it Hot, starring Marilyn Monroe, Jack Lemmon, and Tony Curtis. In the film, Lemmon and Curtis play two broke 1920’s musicians, who are in trouble with the mob because they witnessed a gangster execution, and so they pose as women and join an all female band. Sounds like a Monkees plot to me. The BFI lists it as one of the films you should see before age 14 [Why that specific age? – Editor’s Question], and it is considered one of the best films of all time. “Some Like it Lukewarm, “ which debuted March 4, 1968, was written by Joel Kane, who also wrote for The Many Loves of Dobie Gillis and Wild, Wild West, and Stanley Z. Cherry who worked on Gilligan’s Island and The Addams Family.

Back at the pad, the Monkees choose which lucky guy will become a lucky girl. The editors treat us to a montage of the Monkees impersonating women: Micky as Mrs. Arcadia in “The Chaperone,” Mike as Princess Gwen in “Fairy Tale,” Peter as the mom from “Monkees vs. Machine,” and Davy as Little Red Riding Hood also from “Fairy Tale.” I think the only episode they left out was “Dance, Monkee, Dance” where they pretended to be female dance students. In my recap for “The Chaperone” I talked a little bit about comedies that have men dress as women. You can read about that here. Mike, Micky, and Peter all nominate Davy to play the girl. Reluctant, he backs himself into the closet and comes out with a mop on his head that looks like a long wig. To Davy’s disbelief, a janitor approaches and tries to pick him up.

Back at their pad, Davy stands behind one of those old-fashioned dressing screens and questions how they’re going to turn him into a woman. Micky explains that a woman is a “rag, a bone, and a hank of hair.” I tried to find out about this rag, bone, and hair nonsense; it seems that it’s from a poem called “The Vampire” by Rudyard Kipling (1897).

“A FOOL there was and he made his prayer
(Even as you and I!)
To a rag and a bone and a hank of hair
(We called her the woman who did not care)
But the fool he called her his lady fair—
(Even as you and I!)”

First, they hand Davy a scarf (rag). Then, they hand him an actual bone. He looks at the camera and says “Woo!” Was that supposed to be suggestive? I think it was. Last, they hand him a wig (hank of hair). Davy comes out in the wig and dress and asks how he looks. Micky: “Kind of like a raggy, hairy bone.” Davy complains that he doesn’t know what to do with the bone (fill in your own dirty joke here), and that he doesn’t know how to act like a woman.

Peter pulls out a book, How to Act Like a Feminine Female in Three Easy Lessons. This episode is so weird. I can only imagine why Peter has that book. It would be hilarious if this was the overdue library book from “The Picture Frame.”

He reads off the lessons. Lesson One: “All feminine females must learn to walk with small delicate steps.” Davy walks around with this feet tied together and falls. Sometimes it’s hard to be a woman. The notion that women have to walk and act a certain way is absurdly funny, even 50 years later. What I’m getting at (and maybe the show was too) is that when men are trying imitate women they seem to choose the superficial, exaggerated characteristics. For a comedy that would be the obvious choice.

Lesson Two: “When a feminine female walks from north to south her hips must move from east to west. A small loud bell in each direction will help to teach this technique.” Davy tries this out, with pots and pans tied to his hips, feet still tied with a small rope. Mike gives directions to Micky who shouts them to Davy. “Faster. Slower. East. West.” Davy spins around in circles. Some of us females have never had these lessons. My husband tells me I walk like Redd Foxx, the Sanford and Son years.

Lesson Three: “The feminine female must glide like a swan when she walks with her head high, erect and motionless. The best way to teach this is to place a book on top the head.” Mike and Micky place an enormous book, perhaps The Complete Works of William Shakespeare, on Davy’s head. He sinks into the ground. From the floor he asks, “Isn’t this fun?” Well, it is for me, Davy.

The Monkees return to the television station to show Blavat that they have a girl in the group. Davy tries to leave but the other three hold him back. Blavat checks “her” out and tells them they are now officially entered in the Rockathon contest. All the above happened in the first five minutes. We’ve gone entire episodes where far less happened. Blavat tells Davy he’s cute, which makes Davy all growly. Micky reminds him, “Money, money. Anything for money.” That does seem to be the name of the game.

Back at their pad, Davy expresses doubts about their plan. Cut to a parallel all-girl band in a similar dilemma. They’ve dressed one of their female members in a suit of armor (that we’ve seen in other episodes) and goatee/mustache. Daphne pulls off her facial hair and frets that they’re bound to find out she’s not a boy. I would have loved a scene where they taught Daphne to walk like a Masculine Male. Hey Daphne, can you walk like you’ve got a pair?

Cut to the contest. Blavat introduces the girl band as the Westminster Abbeys. They play a sped up version of “Last Train to Clarksville.” To make them sound like very tiny girls I guess. Also the “boy” is the lead singer, so shouldn’t they be trying to hide his/her ‘girly’ voice since he’s supposed to be a dude?

The Monkees admire the band musically and visually. The drummer is the lovely Valerie Kairys. They show a clip of the Monkees playing “Clarksville” back in the old days, sped up to match the tempo. Davy accuses the one in the beard of being a bit “effeminate.” I feel like the reveal of the “boy” in the band should have come after we see them play. It would have been obvious, sure, but funnier to have the Monkees seeing them first on stage at the same time the audience does. Then they could reveal Daphne removing her facial hair.

As they leave the stage, Blavat introduces the members as Harmony, Melody, Cacophony, and William the Conqueror. Clever reference alert: Westminster Abbey is a Gothic abbey church in England where all the monarchs had their coronations, starting with William the Conqueror in 1066. The band did well; scoring a 98.6, which is the top rating on the applause meter/thermometer that Blavat is using to judge the contest.

The Monkees force Davy on stage; Blavat ogles “her” some more. They do a half-assed job of lip-synching “The Door into Summer” (Chip Douglas, Bill Martin) while Micky, Mike, and Peter physically keep Davy from fleeing the stage. This is most ridiculous for Micky because he’s supposed to be behind the drums. The Monkees also score a 98.6 on the applause meter, putting them in a first place tie with The Westminster Abbeys. Blavat announces that both bands will have to come back tomorrow for a tie-breaking “battle of the sounds.”

Once they get home, Davy immediately wants to remove this disguise, but the others are worried someone from the show might stop by. Right on cue, Blavat knocks on the door. He has a big bouquet of flowers and wants to see “Miss” Jones. The other three hide, so I guess this is only supposed to be her address. He keeps calling himself, “The Geator with the Heater” and “The Boss with the Hot Sauce,” real life nicknames that he used when he hosted a dance/variety television show called The Discophonic Scene. In the context of him chasing “Miss Jones” however, the nicknames sound absolutely lecherous.

Blavat comes in and declares his love for Davy and sexually harasses him with the promise that if “she plays her cards right” the Monkees could win the contest. Blavat pursues Davy, forcing him to back away nervously. Davy says he’ll have to think about it; Blavat gives him until tomorrow. Watching this in the days after the big Weinstein scandal is a surreal experience. I have to hand it to Jerry Blavat for fearlessly playing this sleazy part, especially since they used his real name.

When Blavat leaves, Peter, Micky and Mike tease Davy. Peter says all he has to do is go out with him, and they’re a cinch to win. Mike says if Davy lets Blavat kiss him, he might own a television station. They’re kidding of course, but Davy’s rightfully pissed, “One more remark like that, and I’ll hit you with me purse.”

Later, Davy declines to go out to eat with the others and asks them to bring back a tuna fish sandwich. Cut to the Westminster Abbeys having the same conversation with Daphne: If she has to go out as a boy, she won’t go. Cross-cut of Davy and Daphne going stir crazy. They each decide to go to “Some Little Out of the Way Place That Nobody Goes.” Thanks to this sight gag, this turns out to be a literal location:

Davy sneaks in, wearing a huge coat and sunglasses and asks for a secluded booth. The waiter can help him, “I have a booth which is so secluded, that last week three of our best waiters disappeared while trying to find it.” He takes Davy to a booth that’s already occupied by Daphne. Davy apologizes, and they both take off their sunglasses and immediately fall in love.

Daphne was played by Deana Martin, daughter of singer, actor, and Rat-Packer, Dean Martin. According to IMDB trivia, Deana got the opportunity to play Davy Jones’ love interest after Davy escorted her to her brother Dino’s 16th birthday party. There’s a nice article here where Deana Martin talks about her friendship with Davy.

They are in the middle of making vows of love to each other when Mike, Micky, and Peter noisily enter the restaurant. Okay, I guess they got pulled over by the cops for having long hair, otherwise Davy wouldn’t have arrived first. I assume Davy took the bus since they must have had the Monkeemobile. Yeah, it moves the plot along, but it isn’t logical. Also, for some reason Davy was carrying his girl boots in a large bag with him, because he panics when he hears the other Monkees, and as he leaves, he drops one of the boots. Daphne picks it up, “Wait my darling, you forgot your… high heels?” How very reverse-Cinderella. Davy goes home and hides under his covers just in time for the others to come home and give him his sandwich. Davy realizes he’s lost a shoe.

The next day at the contest backstage area, Davy sees Blavat coming and dives into Daphne’s dressing room to avoid him. Since he’s dressed as a girl, Daphne doesn’t recognize him at first. When she sees he only has one shoe, she realizes she has the other one, and Davy’s game is up. Davy takes off the wig and admits he’s been fooling everyone. He explains that he didn’t tell her because a girl as nice as her wouldn’t go for someone that wasn’t honest. She outs herself as William the Conqueror by holding up the little mustache and goatee. They admit they did this for the same reason: to enter the contest. Davy feels it was terribly wrong.

After all the different cons the Monkees perpetuated over the course of the previous 55 episodes, I sort of wonder why he feels guilty now. On the other hand, most of the time when they dressed up and assumed other identities they were trying to help some innocent person or foil some villain. Here, the con was strictly about winning money.

Cut to Davy having presumably just confessed to Blavat, who must be so embarrassed. Blavat yells at him for deceiving him and disqualifies him because the contest called for mixed groups. Davy tells him that’s what they are, and both groups perform “She Hangs Out” (Jeff Barry) all together. Unfortunately, this relegates the girls to go-go dancers on the sides of the stage. Really, they couldn’t let a couple of them have instruments? Let’s assume they won and split the $500 between both bands.

Next is a segment with Davy Jones hanging out with Charlie Smalls (1943-1987). This was supposedly a sample of the “variety show” style the Monkees wanted, where they would chat with musical guests after the comedy. Charlie plays the piano while Davy explains that they’re writing songs together. Davy asks why he (Davy) doesn’t have soul. Charlie says he has to explain rhythmically. “Your soul would emanate on the accented beats one and three. Where my soul emanates on the accented beats two and four.” He uses the Beatles as an example, claiming they play “hard and funky” on one and three. They demonstrate with some clapping. I don’t know if I buy this scientifically, but they end with a positive message, “Everybody’s got soul.” They sing more of the song “Girl Named Love,” which appeared on the album, The Birds The Bees & The Monkees.

Sharon Cintron, 1963 Playmate of the Month, is listed as “Maxine” in the end credits, but the band girls were named Harmony, Melody, and Cacophony in the dialogue.

Overall, I really enjoyed this episode. Unlike the previous few, there were many hilarious moments and funny lines. The plot moved along and tied up neatly with charming performances from Davy Jones and Deana Martin. This was admittedly a Davy-centric episode. One of the complaints I’ve read about The Monkees was that too many of the plots revolved around Davy’s love life. Since I’m almost at the end of the series, I decided to take a count (yes, I went full-on nerdy with a spreadsheet) and see how many episodes used this plot device (these choices were my opinion; there were some episodes with female characters, but the plot didn’t revolve around them) and decided that there were eleven (18%) out of the 58. That’s not so bad. However, I would also double-count this particular episode as one that is about their struggles as a band (six episodes or 12%). There were far too few of those for my taste.

by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.

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Monkees vs Macheen: “The Monkees on the Wheel”

“Dolenz’s Four”

“The Monkees on the Wheel” debuted December 11, 1967 and was directed by Jerry Shepard. Shepard was mainly an editor on The Monkees, but he directed “The Monkees Get Out More Dirt.” Episode writer was Coslough Johnson, who wrote “Monkees on the Line” and many more. The episode starts off with a stock footage shot of the Las Vegas strip, and the narrator sets it up [“Submitted for your approval…” – Editor’s Note], “Las Vegas, pleasure capital of the world, where each man seeks the things he loves most.” He repeats the phrase “the things he loves most” a few times, and we see a foreground of a casino. In the background, lecherous Monkees literally chase girls. Mike rubs his hands together as he tries to catch one, and Davy zeros in on a girl’s derriere. It’s pretty darn funny to see, and it sets up a tone that’s bawdier than most episodes. I’m thinking they were going for a Rat Pack, Ocean’s Eleven (1960) vibe on this one, doll-face!

The narrator tells us that some are here to “pursue their greed” and we meet the villains of the week, two gangsters planning a caper. Crooks and gangsters, etc. were the most commonly used opponents of the Monkees. This mini-gang has fixed the roulette wheel to land on 16 red. The Boss (David Astor) gives Biggy (Pepper Davis) instructions on how to win all the money from the casino. He can’t do it himself because he’ll be recognized.

In the main casino, Micky tries to pick up a pretty blonde called Zelda by giving her money for the slot machine. Once again, Micky has poor taste in women: he goes on and on about their endless love while she just wants to win money. When he’s out of coins, she tells him to, “buzz off, Charlie!” and walks away. Micky loses his temper and pulls the handle on the slot machine, winning the jackpot. She runs back to kiss his hand and tell him he has “magic fingers,” interested in him again now that he’s won money. Micky tells the camera, “I thought she only loved me for my money.” This episode is especially cynical. Many of them are and I’ve applauded them for it. In this episode the Monkees are fully participating, instead of being victims of a cynical story line.

Zelda is played by Joy Harmon who we previously saw in “The Picture Frame” as the squeaky-voiced bank teller. If you’ve never seen the film Cool Hand Luke, Harmon has a memorable scene where she washes a car in front of the prisoners. Given the overall girl-ogling tone of this episode, it seems perfectly appropriate to mention it in this recap.

Mike chastises Micky for gambling, “you told me you wouldn’t gamble anymore” while Zelda and Micky pick up the coins. Mike reminds Micky that they need to go play a gig. It’s always nice when they manage to add a line that mentions that the characters are supposed to be musicians. Season two so far hasn’t shown them playing very often as part of the story. Micky absent-minded-ly sets his winnings down for a moment on the roulette table, accidentally betting on 16 red.

Biggy missed his chance to place a bet somehow. He gasps when the Manager (I’d call him the dealer but IMDb says “Manager”), Rip Taylor, announces 16 red and Micky wins tons of money. Davy walks up to mention they’re supposed to be rehearsing. Biggy, who looks like a shorter Vic Tayback, tells Micky not to bet and crushes his hand. The three Monkees decide to leave, but Peter comes up and says you should never leave while you’re ahead. That seems like terrible advice but what do I know? I don’t gamble. Biggy tries to place his bet but Peter blocks him, putting Micky’s bet down again. When Micky wins again, the Manager freaks out because he broke the bank.

Back in their room, the gangsters talk about how to get the money back. The Boss tells Biggy to get Della the Decoy. Meanwhile, the Monkees carry Micky’s winnings back to their room on a stretcher. They consider what to spend it on; Mike says they should invest the money in something “worthwhile.” [Nesmith was quite the businessman. – Editor’s Note] There’s a quick montage of Micky, Mike, and Davy picturing hot girls while Peter imagines hugging a stuffed tiger. That was hilarious, and Peter was the only one who got close to his object of desire. Also, could be an allusion to the song, “Cuddly Toy” that’s used later in the episode and the notion of girls as “cuddly toys.”

There’s a knock at the door and Peter lets in Biggy, who’s got a vacuum and poses as the “maintenance man.” Since Davy and Biggy are about the same size, Davy doubts his claim, “Maintenance men don’t come that short.” Peter disagrees that Biggy’s short, “stand up and show him how tall you are.” Of course Biggy comes back with, “I am standing up.”

Next, Della the Decoy walks in the room, dressed in a sexy maid’s costume and the Monkees all go nuts for her. Peter: “Are you the maintenance man too?” Della: “Sure. Don’t you like the way I’m maintained.” The Monkees stumble over each other to try and pick her up. Behind them, Biggy’s making off with the money. Della’s not really a decoy, she’s more like Della the Distraction. Also, we’ve seen the Monkees interested in girls before but it’s usually romantic. We’ve never seen them this out-and-out horny. (Maybe Micky from time to time.) The Monkees make an over-the-top spectacle of being all over Della, instead of acting in character.

Back in the casino, the Manager chews the scenery, going on and on about his aggravation. In every scene that the Manager is in, Rip Taylor hams it up. In contrast, fantastic straight man Dort Clark enters the scene, playing yet another cop (we previously saw him playing cops in “Monkees a la Cart” and “The Picture Frame”). The Manager tells him his story.

The Monkees are still ad-libbing with Della until Davy halts the chaos to let her say her line, but she doesn’t have one. Biggy takes off with the money, and the Monkees realize they’ve been had. They start shouting for the police, who turn up immediately along with the Manager. (Mike sarcastically quips, “What took you so long.”) The Policeman tricks Micky into signing a confession and arrests all four Monkees. The Monkees protest that they’re arresting the victim, not the criminal. As they’re led away, there are some unusual close-ups as the Monkees complain about police brutality, etc.

At the police station, the confession is shot with crooked Batman-type angles. The Monkees protest the illegality of this arrest and insist their money was stolen. The Policeman tells them to think of a better story than that, so Mike tells “Jack and the Beanstalk.” This scene (and the entire episode) is reminiscent of the confession scene from “The Picture Frame,” but not as funny. It becomes obvious the Monkees didn’t know the roulette wheel was rigged, so the Manager makes an offer: if they can get the money back in 24 hours he won’t press charges. Our boys are now thoroughly enmeshed in yet another criminal caper.

Back in their room, Mike suggests if they can’t find the crooks, they should get the crooks to find them. Peter suggests, “Why don’t we open a prison?” The other Monkees immediately jump on him for the “stupidity” of that suggestion. But not really; they’re clearly being ‘meta’ and reacting to the stale jokiness of the written dialog. As in the scene with Della, they’re way outside the actual episode and commenting on the story and the writing, not really acting in character to mock Peter. Mike “comes up” with an idea, which we hear as mumble, mumble, rhubarb, rhubarb.

The Monkees enter the casino dressed as gangsters in suits and sunglasses, except Peter who looks more like an accountant. Zelda recognizes Micky but he brushes her off. They step up to the Roulette wheel. Biggy approaches Peter; Micky recognizes him as the hand crusher (but doesn’t recognize him as the Maintenance Man.) Micky disguises his voice; I don’t know what he was going for, but he sounds like Wolfman Jack. He tells Biggy not to bother the Professor (referring to Peter.) Micky identifies himself as the Insidious Strangler and explains his gang is in town for, “Robbery, extortion, and murder.” Mike cuts in “sort of your regular tourist activities.” Except he clearly did NOT say that. It doesn’t match his lips at all and the above line was obviously dubbed in later in Micky’s voice. I can’t read his lips and would love to know what the heck he really said, and why it had to be dubbed over.

Micky identifies Mike as Vicious Killer and says he did two years of solitary confinement, standing on his head. The editors flip a shot of Mike upside down. “The Professor” tells Biggy they’re here to “take over this town and win all the money.” He starts to tell Biggy about his mathematical system, which is almost perfected. Biggy gives him the missing piece: 7+5 equals 12 (not 11). Peter gets excited, “My system is perfect!” Upside down shot of Mike repeating the line “isn’t that dumb.” All of the action above was intercut with shots of Rip Taylor, carrying on behind the roulette table. The Monkee gangsters go see the Boss in his room. Micky has a Three Stooges/James Cagney impression contest with the Boss. I think it’s a draw.

Peter explains his sure-fire gambling “equalization” system by handing Biggy and the Boss each glasses of liquor. Then, Peter does something uncharacteristically savvy: He gets the crooks falling down drunk while he bluffs his way through his “system.” The other three Monkees sit and let the Peter steal the show, cutting in once to ask the audience “Isn’t that dumb?” The crooks pass out, and Micky, Mike, and Davy give Peter well-deserved applause. The Monkees look for the money and immediately ruin Peter’s clever plan by setting off an alarm. The Boss drunkenly wakes and decides, “It’s a deal: your system, my money.”

Back in the casino, the fake and real gangsters enter. David Pearl approaches Mike, smacks him in the nose, Three Stooges-style, and says “take this wizard Glick.” Mike tells him he’s not Wizard Glick and Pearl apologizes. He should have smacked Rip Taylor, who was Wizard Glick in the final episode “The Frodis Caper.”

The Policeman approaches Micky and explains he can’t take the stolen money without proof. The “Professor” tells the gangsters to bet 24 red. The Boss is in the casino, even though at the beginning he said he would be recognized (as a crook I suppose). Zelda approaches Micky again and keeps bothering him until he gives her money to play with. Unfortunately 24 red wins, even though the Monkees aim to lose so the Manager can recover his money. Peter bets absurd numbers that don’t exist (87 plaid) and continues to win. Zelda identifies Micky as “Magic Fingers,” outing him to the Boss. The Boss orders Biggy to “get them.”

Romp to “The Door into Summer” (Chip Douglas, Bill Martin), from Pisces, Aquarius, Capricorn & Jones Ltd. The cast runs around the roulette table. Della the Dish distracts everyone. Davy plays a spinning wheel game and kisses girls. Joy Harmon steals the scenes and looks to be having fun. She pulls all the slot arms, until she gets to Micky. Very suggestive joke as she pumps his arm like he’s a slot machine and in response, Micky “rises” and gives us a lascivious smile.  Mike eats rose petals in a callback gag to “The Picture Frame.” The story finishes with the gangster collapsing on the roulette table.

Peter, Mike, and Davy demonstrate the tag sequence, which Mike explains as, “some complete laugh riot at the end of a show.” They demonstrate a “here we go again” tag. Peter and Davy discuss how’ll they’ll never get involved in gambling again and then realize Micky’s missing. Mike cuts in to explain; now they’ll cut over to Micky playing with “the gambling machine.” Micky wins a bunch of slots and he gives his all his money to Della. He smiles at the camera with his tongue hanging lustfully out as they walk off screen together. While Micky does his thing, there’s these quick-cuts back to Mike, Peter and Davy and Mike saying “and now you cut back to us.” Mike: “And we’re supposed to give a pained look to the camera. Isn’t that funny kids?” Sarcastic laughter. Seems like a fitting way to wrap up this particular episode.

But wait, there’s more! Next is an alternate performance film of “Cuddly Toy” (Harry Nilsson) For this version the Monkees are on stage in vaudeville-inspired striped jackets and straw hats. Davy dances by himself, no Anita Mann this time, while the others play instruments. This is followed by the outtakes from the “Monstrous Monkee Mash” episode, which aired after this episode on January 22, 1968. There are several repeat takes of Mike and Micky in their Werewolf/Mummy costumes trying to get through their dialog. (You can hear James Frawley directing, “Go again.”) Mike can’t say the punch line because he’s laughing so much. On the last one, he finally finishes his sentence and Micky looks confused at the camera.

To me, this episode had a different tone than the others. There was a lot more sexual humor than usual. As a five year old, I wouldn’t have understood it. As a teenager, I loved it for being naughty. It’s also unusual for the amount of fourth-wall breaking. As in “Hillbilly Honeymoon” and “Wild Monkees” they draw a lot of attention to the fact that it is indeed a television show. They reached a point where instead of parodying everything else in Hollywood, they made fun of themselves. The Monkees seem to be rebelling against the format of their very own show when they break down the tag sequence and mock their usual treatment of Peter, etc. They don’t leave the audience out of this; we’re in on the joke. I like this, but I also like it when they’re truly engaged in the story-lines. Fortunately, there were a few more of those episodes left before the series ended.

by Bronwyn Knox

Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.