90 episodes? I can’t believe it, but I guess it make sense if you do the arithmetic. The first episode I recorded (with my dear friend, Neena) came out December 5th of 2014. It was recorded the day after Thanksgiving that year. In the middle of April, 2017, we have 90 episodes. This is the second-to-last for this series and featuring frequent collaborator Mark Jeacoma. Mark and I discuss musical tastes and the worldwide phenomenon of podcasting.
Thanks to Chris Hasler for suggesting “Down Deep Inside (Theme From “The Deep”).
This blog and podcast was created for criticism, research, and is completely nonprofit, and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107. It is not an official product, and it should not be sold nor bought; this is intended for private use, and any public broadcast is not recommended.
Written by David Lawler Additional Commentary by Mark Jeacoma Original Music by Alex Saltz, APS Mastering Introduction Music: “What You Need” (Andrew Farris, Michael Hutchence) by INXS (from the 1985 album “Listen Like Thieves”). Audio Clips: “And When The Sky Was Opened”, “What You Need”.
“Come on Harry, the maiden fair waits for her knight in shining corduroy.”
To mark the occasion of the one-year anniversary of my association with Mark Jeacoma and his wonderful VHS Rewind! podcast and blog, I am adding a previous review I wrote for the 1982 horror anthology, “Creepshow”, and adapting it for this Vintage Cable Box review. This was a movie I absolutely fell in love with when I first saw it on cable television in 1984.
“Creepshow”, 1982 (Leslie Nielsen), Warner Bros.
It seems most movies these days are based around comic books and toys, but in 1982, the double-whammy collaboration of Stephen King and George A. Romero, produced the original comic-book adaptation, “Creepshow”, one of the great horror movies of the early 1980s. Obviously inspired by Max Gaines and Educational Comics’ “Tales From the Crypt”, “The Vault of Horror” and later, Mad Magazine, “Creepshow” gives us five fun stories loaded with graphic violence and intended for adults only.
George A. Romero, best known for “Night of the Living Dead”, the grandfather of the modern zombie movie, had directed cult favorites, “The Crazies”, “Martin”, and “Knightriders”. King, reportedly a fan of Romero’s work, suggested they collaborate on “The Stand” and wrote “Creepshow” as a sample screenplay to see if the two could successfully work together. This was, no doubt, due to the disappointment he felt from Stanley Kubrick’s adaptation of King’s “The Shining”.
“Creepshow” is an anthology of five stories about familial revenge, hapless hillbillies, a tasmanian devil in a crate, the consequences of infidelity, and cockroaches (lots of freaking cockroaches!). What really propels the stories is a wicked sense of humor, dark comedy, and lots of gore. A great cast (Ted Danson and Ed Harris in early roles, Leslie Nielsen in one of his last dramatic roles, Hal Holbrook, Adrienne Barbeau, Fritz Weaver, and E.G. Marshall) round out the carnage, and though the film only earned modest reciepts at the box office, it did very well in pay TV and home video markets.
Romero’s lighting, use of shadow and bold primary color along with the continuity device of using comic book cells and the framing story of an abusive father and his sociopathic son (played by Stephen King’s son, Joe) deconstruct the horror genre and places it in a post-modern context, much like Romero would do with “Day of the Dead”, the underrated “Monkey Shines”, and “Tales From The Darkside” (an anthology television series based, in part, on “Creepshow”).
“Creepshow” was followed by two lackluster sequels, “Creepshow 2” in 1987 (based on stories, not a script by King), and the “unofficial” no-budget “Creepshow 3” in 2007. Romero would later work with Stephen King for “The Dark Half” in 1993, but that film was shelved for two years due to Orion’s impending bankruptcy.
Happy Halloween Everybody!
Our first cable box was a non-descript metal contraption with a rotary dial and unlimited potential (with no brand name – weird). We flipped it on, and the first thing we noticed was that the reception was crystal-clear; no ghosting, no snow, no fuzzy images. We had the premium package: HBO, Cinemax, The Movie Channel, MTV, Nickelodeon, CNN, The Disney Channel, and the local network affiliates. About $25-$30 a month. Each week (and sometimes twice a week!), “Vintage Cable Box” explores the wonderful world of premium Cable TV of the early eighties.
Found footage is literally just that – footage found. You’re walking on the street. You stop at a corner. There’s a garbage can on the corner. You take a peak inside, like you would, and you see a stack of video-tapes or even discs, but they’re not labeled in the conventional sense. These aren’t copies of “Night Patrol” or “Jaws” released by video companies. These aren’t attractive-looking with glossy slipcovers and keep-cases. These are BASF, Maxell, Sony tapes. They look like blanks, until you see the sticker on the side; a handwritten label that reads, “DARCY’S CONFIRMATION AGE SEVEN, ST. JOSEPH’S CHURCH, ASTORIA DECEMBER 15 1996” or something similar. “POP-POP RENOVATES THE GARAGE, JULY 6, 1992” or something else, something mysterious.
Originally aired March 31, 2015.
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